HOW DID THE FILIPINOS ACCEPT THE INFLUENCE OF OTHER MARTIAL ARTS?
HOW DID THE FILIPINOS ACCEPT
THE INFLUENCE OF OTHER MARTIAL ARTS?
Explanation:
Filipino martial arts (FMA) (Filipino: Sining panlaban ng Pilipinas) refer to ancient Malay and newer modified fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts, the most popular forms of which are known as Arnis, Eskrima, and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned often out of necessity how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, trade and practicality.
“Philippine Weapons of Offense and Defense” – plate 1, Krieger Collection, United States National Museum
Filipino martial arts have seen an increase in prominence due to several Hollywood movies and the teachings of modern masters such as Venancio “Anciong” Bacon, Dan Inosanto, Cacoy Canete, Danny Guba, Mike Inay, Remy Presas, Wilson Pangan Sr. (Grand Master), Ernesto Presas, Doug Marcaida and Carlito A. Lanada, Sr.
There have been numerous scholarly calls on the inclusion of the many martial arts of the Philippines into the UNESCO Intangible Cultural Heritage Lists. As of 2019, a total of nine elements scattered in eight countries, such as Thailand, Georgia, and Korea, have successfully inscribed their martial arts in the UNESCO list.[1]
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